anysia: Portrait in 13 Candles (Default)
Yesterday, I gave my 'antiquated' EF Prime lenses a test run with the Canon RF. using the control ring adapter.

To those who say the lenses are too slow to focus; pish tosh. Your humble bragging about selling off your EF lenses so you can get the new RF lenses is humble bragging. Of course, I have found bargains beyond belief because of such humble bragging.

I do have one RF lens, the 35mm. It's fine. Kind of noisy, but great lens. My 300mm EF L IS works great on the RF body. My 400mm NON is EF L lens works equally great.

Of all the RF lenses I have tried, I wouldn't say no to the 100-500. But no humble bragging here. I am saving for this lens, but I am not humble bragging that I am selling off my EF lenses to do this. Instead I bought an adapter ring, to continue using the excellent EF glass on the RF. And I still have my 7DmkII, that use those same EF lenses. And I have an adapter ring to use EF lenses on my Olympus OMD EM-1.
anysia: (Photography)
On November 28, 2020, I posted a rather lengthy blog entry under the title "Canon, you have some 'splainin' to do!" regarding how their new EOS R5 and its' overheating problem when recording video. I even posted link to a video where someone, with a helluva lot more money than I can spare, disassembled the R5, made a water cooling system. Fixed the overheating, but impractical.

In the video, he carefully removed the back, removed the ineffectual tiny heat sink, and cleaned off the old thermal paste. He fabricated a larger heat sink that and after a dab of thermal paste, put the new heat sink on, closed up the camera, and TA DA! No more overheating problems.

The reason I type all this out, is I told my hubby that I wouldn't be surprised if Canon, who claimed the EOS R5 was 'future proof' (planned obsolescence) would put out a new version nothing more than a larger heat sink to stop the overheating issue.

Hello new model Canon EOS R5 Cinema! It's the EOS R5 without the heating problem!

To me, this makes no difference as I am a still photographer, not a videographer. But if I was someone who bought the EOS R5 with 8K videoing in mind, only to run into the overheating wall, I would politely demand that Canon fix the flaw EOS R5 they already own.
anysia: (Scrying)



1: Yes, I have this camera.
2: Yes, I have noticed that it gets hot!
3: Although I have the know-how to do this, I don't have the equipment, nor would I void my warranty by doing this. (but if I had the means and equipment, I would!)

Many (aka males) have 'explained' to me that the R5 is a STILLS camera.
Really? Then Canon shouldn't be advertising it the way they do, regarding using it for video.

This is from their own sites (US, UK, AU):
"Introducing 8K video: how the Canon EOS R5’s flagship filmmaking feature changes the game. The Canon EOS R5 rigged for filming. Audience expectations are growing, with high-resolution video content in demand across all platforms from streaming services to commercials, and the EOS R5 is poised to deliver, making it a future-proof choice."

So no, this overheating problem does NOT make it future-proof (planned obsolescence). And my techy-ness makes me just shake my head at how this overheating issue could have been avoided by some proper thermal paste, and a proper heat conducting plate.

The blithe mansplainers saying "People should get the Canon Cine cameras" does NOT negate this problem, especially in light of how Canon itself is advertising this very expensive piece of camera gear.

Does the R5 take great photographs? Oh hell, yes. They're sharper, cleaner, and overall IQ is heads and tails above the 5DmkIV.

But this heating issue... This isn't like the futz 'light leak' that could be caused by something no photographer would really do.

I wouldn't be surprised if there will be some sort of recall because of camera bodies warping, melting, or catching fire, when used to record video.

Or a EOS R5mkII?
anysia: (Scrying)

I was so so when I went to bed last night. I have no idea why, but all I know is I couldn't get to sleep because of it. Got up, took some ibuprofen/paracetamol tablets. Must have worked because the next thing I knew, we were being annoyed by three of the cats to get up and feed them.

Picked up a Canon 1DmkIV in immaculate condition, looks brand new, for cheap cheap.  Tested it out and it's ok, and although it does focus faster than the 7DmkII, and has a larger sensor, it's not better than then 7DmkII.  So, plan b: bundle them both together for a trade in. 

anysia: (Grrrrr)
After a session with a Microsoft Tech regarding not being able to see camera raw files from specific cameras (Olympus OMD EM1mkII and EM5mkII, and Canon 5DmkIV) I was told it was a Canon issue and to contact Canon for 'the fix'.

Three guesses what I got in response... and the first two guesses won't count.

It's a WINDOWS issue.

Meanwhile, some versions of Windows will let you view CR2 files natively (for example, in a folder view). In previous versions of Windows, you needed to download the Microsoft Camera Codec Pack, which provides support for viewing RAW image file format thumbnails and image information in Windows Explorer. 
In Windows 10, the default app for opening RAW image files is Windows Photo Viewer. However in some cases, Windows 10 operating system cannot open the RAW files in "preview mode" for images taken using new EOS camera models.


How the cameras I mentioned aren't 'new'. They are a few years old now.

This was my reply:

Not being snarky here, but I had a feeling this was the answer I was going to get. Microsoft said it was a Canon issue, and Canon saying it was a Microsoft issue. How about you two get together and fixing the problem, rather than fixing the blame.

I don't use DPP, although I do have it installed because I wanted to see if that would install a camera codec in Windows 10 and it didn't. I use On1Photo Raw, which sees the CR2 files just fine. Also, Photoshop CC bridge with latest camera raw update sees the CR2 images just fine. The problem is OTHER software (Aurora HDR, Luminar, Affinity) rely on Windows 10 native Windows Explorer in program to select and process images.

I will pass this along to Microsoft, and I am going to wager they will once again tell me it's NOT a Windows 10 issue, but a Canon issue.
anysia: (South Park - Mellow)
Last week, Wing and I headed out on a photography trip. To be honest, I wasn't sure I would be up for it, as there was some hiking involved.

Thursday. First stop was Sugar Loaf Rock, one of the most photographed rock formations in Western Australia. I looked at the ‘overlook’ area and was started the slow climb up. Yay! Made it!

Everyone takes a photo of the formation with the water and waves all around it durning sunrises or sunsets, and they’re lovely, but I wanted to do something a bit different.

Sunset at Sugar Loaf Rock.

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Also had a Nankeen Kestrel keeping watch over our activities.

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Friday: Next stop was the Albany Wind Farm. Due to some misinformation, I was told the person I was looking for to return a lens was at the very top of the trail.  I managed to go almost to the very top, only to find out the person I was looking for was at the bottom Open-mouthed smile 

Also revisited the Canal Rocks, and first time visit to The Reflecting Pool.

 

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Saturday: We went back to the Albany Wind Farm at Dark O’Clock to get some shots of the Milkyway over the wind farm. Then we headed to “The Gap and Natural Bridge” later in the day for some sunshet shots. And also got a great shot of the “Albany Brig” with almost perfectly still water reflecting.

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083A7926083A7829

 

Sunday: We got up again, at O’Dark O’Clock to get some Astrophotography at The Gap and Natural Bridge.

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After sunrise, we got some photos of the harbor, the shipping port and other local points of interest.

151A0922-Pano

 

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And then it was time to head home. Took a while to get all the photos culled and processed. Open-mouthed smile 

It was a great road trip. Smile  Here’s hoping the next one is just as much fun.

  Here’s hoping the next one is just as much fun.

anysia: (Photography)
Yesterday, I went out to get some stormy skies photography, and brought the 7DmkII paired with Canon 400mm f/5.6 prime lens. Don't get me wrong, it's a good lens, but without stabilization, I found most my photos had some variation of motion blur, as it was low light, focusing on a distant subject, hand held. Not the best lighting for a non IS lens.

Today, I took the 400mm, mounted it on the Kipon EF to MFT adapter, and put it on an Olympus OMD EM1. I swear this lens and body were made for each other. Even though the lens is an f/5.6 on a full frame, the equivalent on the EM1 is an F/2.8. Couple that with the in body stabilization, the lens being Non IS is no longer an issue.

You have to remember this when using this combination, because if you don't your images will probably be a bit dark, and when shooting at ISO 800 or above, that can lead to excess noise. You will see 5.6 flashing in your viewfinder. You have to ignore that. I know, goes against everything you’ve learned.

I shot this at f/6.3 +0.7, ISO 800, 1/120 exp.



The image is sharp, colors are great, and even the bokeh is sweet.
anysia: (Demon-eyed Cat)
Don't get me wrong, I loved my Tamron 24-70 f/2.8, fast to focus, and the image quality was excellent, but I kept finding myself trying to zoom past the 70mm mark. It didn't quite have the reach. So, instead of ruining the lens by accidentally over torquing the zoom ring, it was time to get lens with longer reach.

At PhotoExpoLive2017, I purchased the 24-105mkII. One of the things I was concerned about was losing that one stop. Well, I didn’t have to worry because the bokeh even at f/4 on the 5D4 was great.

Canon 5DmkIV, 24-105mkII, ISO 1600, f/4, 1/60exp.  No noise reduction, edited in On1PhotoRaw 2017

anysia: (Glasses)
Wing and I went for a bit of a long walk today. It was good and it was to test something.

Although I can wear the compression knee bandage if I am going for short walks, or around the house and yard. Longer walks, I will be needing the hinged knee brace. It's good to know this now, before we head to Sydney! Would be a disaster to get there and not be able to walk long distance .

So, pack or wear the hinged brace, pack the three compression knee bandages.

And we have been discussing what gear to bring. One camera body, 5D4. Lenses: 24-70, 70-300 and the 12-24. Should have all bases covered that way. Also, bring SD cards, as I found out they will have cameras set up for the studio/photo sessions, and the ones set up only take SD cards. I will bring CF cards for when we do our own photowalks in Sydney.
anysia: (Photography)
I have a very old Canon wide angle lens, a 17-35mm F/2.8. Although it worked great for older camera bodies (550D, 40D, 7D) but its performance falls short on the 5DmkIV and the 7DmkII.

So, I have been testing diffferent lenses, taking a photo of the same thing, same settings..

Canon 11-24 f/4 - clear images even to the edges, barely visible fringing, minor vignetting. Can't mount a UV filter, but the lens hood extends past the element.

Canon 17-40 f/4 - clear images, slight softening at the edges. Visible vignetting and fringing. Can mount a UV filter.

Canon 16-35 f/4 - clear images, visible fringing and minor vignetting. Can mount UV filter.

Canon 16/35 f/2.8 - clear images, slightly visible fringing, and minor vignetting, but less than the f/4 version. Can mount UV filter.

Tamron 15-30 f/2.8 - clear images, very visible fringing, minor vignettings. Can't mount UV filter, but lens hood extends past the element.

Sigma Art 12-24 f/4 - clear images, even to the edges. Negligible fringing, negligible vignetting. Can't mount UV filter, but lens hood extends past the element.

So, it's down to the Canon 11-24 f/4 and the Sigma Art 12-24 f/4. They both produced excellent images, sharp, clear, even to the edges, so I have to choose by other criteria.

The Canon 11-24 f/4 is $2866 to $3,844.

The Sigma Art 12-24 f/4 is $1579 to $1999.

Sigma Art Series 12-24 f/4 for the win. Time to save my shekels!

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anysia: Portrait in 13 Candles (Default)
anysia

April 2025

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